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SOUL SHREDDERS
OF SEOUL

GENT Balzaal Vooruit | Fr 14 Nov ’08 (20u00)
UTRECHT SJU Jazzpodium | Sa 15 Nov ’08 (20u30)

“Modern art endeavors to expel the mystification of the absolute art derived from past traditions. Usually modern art is considered abstruse, but this occurs only when accepting ‘fine arts that I know’ and not recognizing new attempts as fine art. All the common senses and stereotypes have made men fools, and must be destroyed occasionally, and changed.” - Nam June Paik

The past couple of years the musical avant-garde movement in South-Korea has been blooming. With inspiration from Inspired by Japan they gather in momentum. There’s no leading genre or movement: the country blossoms musically on every single level on all levels the country musically blossoms and after years of complete isolation bridges are being built with Western culture. On this theme special night we present an the older generation of experimentalists as well as a the new dynamic movement with an exploratory approach to composition and elektro-acoustic improvisation.
KIM DOO SOO [kor]

Kim Doo Soo is a South-Korean folk singer who was only active in the underground circuit for years. Yet he still perfectly complements the international folk tradition that also brought people like Tomokawa Kazuki, Mikami Kan and Fikret Kizilok to the world's attention. It took until 2007, when the Japanese label PSF released his debut album, before he was finally discovered by an international audience. On the Pauze Festival, Kim Doo Soo will present his subtle protest folk to the European public on a first trip outside his own continent.

[YouTube]

KANG TAE HWAN [kor]

Altsaxofonist Kang Tae Hwan wordt met slagwerker Kim Dae Hwan (overleden in 2004) en trompettist Choi Sun Bae gerekend tot de grote drie van de eerste generatie Koreaanse improvisatoren. Zijn speelwijze is een combinatie van Koreaanse esthetiek qua opbouw en klankspectrum en bijzondere technieken (circular breathing, multifonie e.d.). De laatste jaren treedt hij veel op in een trio met pianiste Miyeon en percussionist Park Chejun. Hij heeft als solist en als co-leider een tiental albums opgenomen. Zijn laatste album met Miyeon en Park Isaiah kwam uit op het label Audioguy.

[YouTube]

SATO YUKIE [kor]

Sato Yukie is one of the main men behind a new group of experimenting artists in Seoul. A couple of years ago he started to organize concerts in the Korean capital to which he invited Korean but also foreign artists. His main musical activity is the psychedelic band Kopchangjongol, but he’s also a big name in the local improv scene. Solo he focuses on guitar-based experiment.
RYU HANKIL & CHOI JOONYONG [kor]
Ryu Hankil & Choi Joonyong are both prominent artists in the Relay Collective, a group of young improvisers in Seoul. Ryu has a background in several indie pop bands, but he got the improv virus after seeing a concert of Otomo Yoshide, Sachiko M, Axel Dörner and Taku Unami. These days he's mostly into the musical capabilities of non-music instruments for which he dismantles electronic typewriters, telephones and other appliances…
Choi Joonyong also began as a songwriter but developed an interest in all things noisy after graduating high school. His music originates from opening cd and mp3-players, video recorders and reel tape recorders. Sharing a passion for breaking electronic gear, the two immediately formed a good friendship and this shows on stage.
+ FILMS

GENT : 14 NOV ’08, 18u - BRUGZAAL VOORUIT
UTRECHT : 15 NOV ’08, 16u - SJU JAZZPODIUM


Gajok Chosanghwa (My Family Portrait)
Kim Young-Jo, 67’, 2007 [kor]

Spurred on by the loss of hair, director Kim begins a journey of discovery into more than just his genetic make-up. As he delves into his family origins, his investigations uncover more than he expects. This family portrait deals with the complexity of relationships and how our perceptions impact our life story. Kim candidly shares with us his feelings, resentments and questions as he learns more about the enigma that is his family. This autobiographical detective story discloses the consequences of Korean society cautiously opening the doors to the West.

WYSPA
Tae-young Park, 49’, 2004 [kor]

At a tiny Korean island called Jah Wol-Do, a 34 year-old epileptic woman lives in an asylum for elderly people run by a Christian foundation. Abandoned there by her family, she is placed in the care of the priest, who is more concerned with the escape of some black goats or the effectiveness of the symbol of the cross than with her. She is bored, hurts herself and wants to leave, but cannot, and she is not sure if she is satisfied with a helmet. This strange community gradually mixes the plots...